Programs: Bible Illustration in Netherlandish Prints of the Sixteenth Century
The translation of biblical
texts into biblical images went hand-in-hand with the translation of
scripture into the common language. Antwerp and Amsterdam became major
centers where vernacular Bibles and their woodcut and engraved
illustrations were published. The exhibition and education programs demonstrate how these
images offered a clarifying lens through which the word of God was
received and interpreted by a growing audience. Educational events
accompanying the exhibition are listed below.
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September for updated information as well as additional events. (Return
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Thursday, November 19 7 pm, Reception Hall Lecture The Foreign and the Familiar in Sixteenth-Century Biblical Prints Independent
scholar Dr. Jamie Smith examines themes of foreignness and familiarity
in works in the exhibition. She elucidates imagery that signifies
Christ as the intermediary who resolves otherness and discord to
reconcile God and man. Dr. Smith’s discussion underscores the function
of biblical prints in the sixteenth century as accessible devotional
instruments for the pursuit of unity with God.
Thursday, December 3 7 pm, Reception Hall Lecture Pieter
Bruegel’s "Conversion of St. Paul" is one of a series of paintings made
between 1566 and 1567 that depict biblical scenes within a landscape or
village setting. In a lecture titled The Turn of the Soul: Pieter
Bruegel’s Visual Interpretation of Saul’s Conversion, Todd Richardson,
Assistant Professor of Renaissance and Baroque Art History at the
University of Memphis, will discuss the way Bruegel constructs his
landscape as a means to facilitate a sensuous viewing experience that
reenacts the theology of conversion that is locked into the story
represented. Integral to this encounter is the way Bruegel uses the
expressive characteristics of the landscape itself in its capacity to
visually communicate contemporary spiritual ideas.
Monday, December 7 7 pm, Reception Hall Lecture Visual Narratives, Theologies, and Contemplative Practices in Hinduism and Buddhism Professors Joyce Flueckiger and John Dunne of Emory's Department of Religion
Saturday, December 12 10-11 am Tate Room and third floor galleries Artful Stories Bring
your family to hear one of the foundational stories of Christianity,
the story of Jesus’ birth, while surrounded by 16th century prints of
the Nativity in the exhibition. After the story and a look at woodcut
prints, the children will use a simple printmaking technique to create
nativity scenes of their own.
This program is open to families with children of all ages. Free to the public. Registration required by calling 404.727.0519
Tuesday, January 19 7 pm, Reception Hall Inside Edition: An intimate glimpse at 16th century literary genres, printing, and bookbinding
This seminar brings together a collector, a curator, and a conservator to discuss and examine books of the period. The Estienne & Plantin presses reflected some of the finest scholarship of the period, while they also were renowned for their attention to the aesthetic element in their productions. Join Emory’s Dr. M. Patrick Graham, Margaret A. Pitts Professor of Theological Bibliography and Director of the Pitts Theology Library; Ann Frellsen, Conservator for the Emory Libraries; and Dr. Garth Tissol, Associate Professor of Classics, for this small-group, hands-on program. Space is limited and reservations required by calling 404 727-4280.
Sunday, January 24 2:30 pm, Level Three Galleries Gallery Talk Merel
Groentjes, a graduate student in Emory University’s Art History
Department, will discuss images in the exhibition that reflect an
interpretation of the New Testament as the fulfillment of the promises
of the Hebrew Bible.
Educational programs in conjunction with the exhibition were made
possible by grants from Ed and Dina Snow and Burr & Forman LLP,
Emory College of Arts & Sciences Center for Creativity and the
Arts, the David Goldwasser Series in Religion and the Arts, the Emory
University Strategic Initiative in Religion and the Arts, the Hightower
Lecture Fund, and the Lovis Corinth Lecture Fund.